Alfie Dogs

Zach Wilson was never just a quarterback. He was drafted into a storm. When the New York Jets selected him second overall in the 2021 NFL Draft, they weren’t merely picking a player—they were trying to conjure hope from the wreckage of a broken system, betting on a golden-armed BYU prodigy to resurrect a franchise long tormented by mediocrity. But Wilson was doomed before he ever touched the turf of MetLife Stadium. Not because he lacked talent. Not because he couldn’t throw. But because he entered the NFL during a moment when America itself was unraveling—physically, psychologically, and civically. The COVID-19 pandemic was no ordinary crisis. It disrupted the rhythms of life, shattered social institutions, and bred a suffocating atmosphere of uncertainty. Athletes, like everyone else, were trapped in the amber of a moment that defied normal rules. For Wilson, his rise to the pros was filtered through empty stadiums, restricted training camps, Zoom playbooks, and a world where the s...

By [Daniel Suarez] There are moments in sports when coincidence tiptoes toward prophecy—when history doesn’t repeat itself so much as it echoes in perfect, uncanny rhythm. Such is the case with Zach Wilson and Steve Young, two quarterbacks separated by generations but tethered by fate. If you’re not paying attention, you might miss the rhyme. But it’s there—loud, rhythmic, almost cosmic. Both were legends at BYU. Record-setters. Flamethrowers in a quarterback-friendly system who could beat you with their arms and break you with their legs. Steve Young dazzled the NCAA in the early ’80s, Wilson in the strange COVID-shadowed 2020 season. They stood at the same physical intersection: around 6’2”, 215 pounds, agile, fast-twitch athletes with rifles for arms and a magician’s sense of improvisation. If you spliced their college highlight reels together—one left-handed, one right—you’d find near-identical flashes of brilliance: rollouts, cross-body lasers, sprinting touchdowns, and backyar...

Douglas Murray, the eloquent polemicist and self-styled defender of Western civilization, has made recent rounds on both The Joe Rogan Experience and Real Time with Bill Maher. As ever, he speaks with rhetorical precision, a sense of erudition, and that signature British seriousness that gives the air of ancient authority. Yet, behind the polished cadence of his words lies a position increasingly out of step with the moral and epistemic landscape of our time. Murray insists that we must entrust the telling of our past only to “historians”—a priestly caste of credentialed chroniclers whom he seems to view as the only morally responsible stewards of our collective memory. The rest of us—journalists, activists, educators, artists, podcasters, TikTok creators, and everyday people with lived experience—ought, in his view, to stand reverently at the sidelines, lest we distort the sacred narrative. But here’s the thing: Douglas Murray is missing the point. The question isn’t whether historian...

There is something haunting—almost theatrical—about the courtroom. The silence. The ritual. The polished floors, the heavy doors, the flags draped like holy relics behind the bench. And then there’s the judge, robed in solemn black, perched above the rest like some modern-day oracle of law. Not elected by the people. Not checked by a council. Alone. And we call this democracy? No. What we call justice is, in truth, often a performance of power. A monologue dressed as a dialogue. A solitary voice rendering judgment in a system supposedly built on the consent of the governed. How did we get here? How did we become a society that chants the virtues of collective will in the voting booth, only to whisper our fate into the hands of one in the courtroom? Let’s not romanticize the robe. It does not sanctify. It obscures. Because beneath it is not a deity—but a person. A person with biases, beliefs, traumas, loyalties, blind spots. A person shaped by the same cultural tides that bend the rest ...